DRIVE has now lastly bought a launch, that too on an OTT platform. Because of this, there’s a whole lot of negativity surrounding the movie. So is DRIVE actually as disappointing as believed? Or does it change into a superb entertainer? Let’s analyse.
DRIVE is the story of a bunch of thieves planning the largest heist of the nation. Tara (Jacqueline Fernandez) runs a courier firm in Delhi and makes a speciality of unlawful transfers for criminals. She is aided on this by Bikki (Vikramjeet Virk) and Naina (Sapna Pabbi). The trio, apart from indulging in road racing, are additionally centered on discovering a thief named King (Sushant Singh Rajput). He operates alone and robs in type. After stealing, he leaves the identify of the place the place he would subsequent make the heist. After robbing a jewelry retailer, he hints that his subsequent goal is Rashtrapati Bhavan! Irfan (Boman Irani) from the PMO will get startled on getting this info. He groups up with Vibha Singh (Vibha Chibber), director of the financial restrictions division and his junior, Hamid (Pankaj Tripathi) in making certain that King doesn’t come to rob what’s the most secured and one of the crucial necessary establishments within the nation. King nonetheless bumps into Tara, Bikki and Sapna and after he finds them reliable, King tells them about his actual id. On the similar time, Tara additionally expresses her want of robbing Rashtrapati Bhavan for a particular motive. She has discovered that Vibha takes a 40% lower from these on whom she initiates a raid. After getting her share, she provides the accused a clear chit. Vibha has found a secret chamber in Rashtrapati Bhavan the place she has stashed all of the unaccounted wealth. Tara needs King’s assist in robbing this hidden treasure. Nevertheless, the safety at Rashtrapati Bhavan is unparalleled. The intention is to enter the palace, dodge the safety and CCTV cameras, find the loot and take it out of the Bhavan. What occurs subsequent varieties the remainder of the movie.
Tarun Mansukhani’s story is poor and is a bhel puri of assorted movies like RACE, DHOOM, FAST & FURIOUS, OCEAN’S ELEVEN, SAAHO and even Karan Johar’s earlier forgettable movie, UNGLI. Tarun Mansukhani’s screenplay doesn’t make the specified affect because it’s very troublesome to grasp. There are twists and turns each 10-15 minutes however as a substitute of including to the movie’s appeal, it finally ends up getting on viewers’ nerves. Tarun Mansukhani’s dialogues are easy and straight ahead.
Tarun Mansukhani’s course is nothing nice. He tries to do an Abbas-Mustan however fails miserably. The movie lacks emotional contact. You don’t actually root for any character as you don’t really feel for them. A little bit of Tara’s previous is hinted at however that’s about it. Just a few developments are bewildering. The monitor of Arjun (Anuj Jain) is obscure, particularly how he managed to get into Tara’s gang. Surprisingly, Tara and his group don’t kick him out regardless of figuring out that he’s an undercover officer! The move of narrative can be fractured by two songs. Shockingly, the ‘Makhna’ music comes up swiftly. For no rhyme or motive, Tara and the gang head to Israel. No explanations given! The makers, on the most, might have added a voiceover of Tara telling her gang that they need to take a break for just a few days however alas!
“Working with Sushant Singh Rajput was GREAT, You…”: Sapna Pabbi | Drive | Jacqueline
DRIVE begins on a good notice. The start scene immediately reminds of FAST & FURIOUS’s road racing scenes. However there’s a pleasant shock as one expects the profitable driver of the race to be Sushant. As a substitute, it’s Jacqueline who emerges from the automobile. The way in which King hoodwinks Tara’s males on the jewelry retailer and the way he will get the seized automobile again from the cop additionally retains the curiosity going. The difficulty begins quickly sufficient because the movie will get too difficult or too unconvincing. The second half is concentrated on the gang attempting to rob the treasure from Rashtrapati Bhavan. The way through which they simply get entry to the place may be very onerous to imagine. Additionally, the assorted twists and turns as a substitute of impressing viewers find yourself complicated them. Numerous questions stay unanswered until the very finish.
Sushant Singh Rajput fails to offer his greatest. In scenes the place he’s supposed to offer the see-I-am-so-smart cool smile, he finally ends up trying fairly awkward. Jacqueline Fernandez the truth is is significantly better. She seems convincing because the chief of the gang. Furthermore, she additionally exudes appreciable oomph. Vikramjeet Virk does nicely, as per his character requirement. Sapna Pabbi has an important display presence and acts nicely. Boman Irani is reliable as all the time. Pankaj Tripathi is apt for the half and even raises few laughs. Vibha Chibber fits the character. Identical goes for Kaustubh Kumar (Raj). Anuj Jain is hardly there. Main Bikramjeet Kanwarpal (Inspector Rathore) is respectable.
Music fits the temper of the movie however doesn’t have a shelf life. ‘Karma’, performed within the opening credit, is one of the best of the lot. ‘Makhna’ is pressured into the movie. Identical goes for ‘Prem Pujari’. ‘Black Automotive’ and ‘Tu Jaanta Nahi’ are relegated to the background and are forgettable. Qaran’s background rating is trendy.
Vishal Sinha’s cinematography is sans complaints. However within the Israel scene, the lensman ought to have captured the sweetness reasonably than simply going for BTS-style camerawork. Parichit Paralkar’s manufacturing design is kind of good. He had a difficult process at hand as he had to make sure that the units resemble the assorted rooms and chambers of Rashtrapati Bhavan. In that regard, he succeeds in most elements. Fluiidmask Studios’ VFX, nonetheless, may be very cheesy and faux. Stefan Richter and Vikram Dahiya’s motion is nothing nice. The movie ideally ought to have had extra within the identify of motion different than simply automobile chase scenes. Samidha Wangnoo’s costumes are very wealthy and interesting, particularly those worn by Jacqueline and Sapna. Tarun Mansukhani’s enhancing is common.
On the entire, DRIVE provides a déjà vu of many different movies on this style and fails to impress on account of complicated and unconvincing plot. Avoidable